MUSEUM AS URBAN SPACE
The concept of museums has changed radically since the miracle chamber (“Wunderkammer”) of Rudolf II and Ferdinand II in the 16th century. The museum of today is no longer conceived only as an institution for the storage and display of knowledge, it is an urban concept. The museum of the future is a three-dimensional sign in the city which exhibits the content of our visual world. Museums are no longer only exhibition spaces to display diverse forms of digital and analog visual information, but they also function as spaces that cater to urban experiences. This means that art should be able to flow out of the building and the city should be able to flow inside. This zone becomes a hybrid space where various types of people can meet and unexpected events can occur. Rather than going to the museum simply to look at art, visitors are encouraged to engage in artistic discourse, attend music and arts festivals, or to simply pass the time until an appointment. Our design is therefore an urban connector as well as a destination point.
DESIGN
The building is broken up into 3 parts: the Crystal, the Gallery Box, and the Roof Cloud. The Crystal serves as the main entry and operates as an orientation and connection space serving both the new and old buildings. It is a grand, flexible space that can also be used for banquets, arts festivals, and events hosted by outside organizations. The traditional idea of a banquet hall as an enclosed isolated event space dissolves away into a visible, public experience. The Crystal utilizes microclimate zones as a heating and cooling concept. These different zones are determined by analyzing the type and anticipated length of occupancy in various areas of the crystal and are conditioned through optimization of active and passive means. By eliminating the need to condition the entire air volume in the Crystal, and by focusing the energy used to condition the space in the areas where people are located, operating costs and energy use are significantly reduced. The interior of the Gallery Box is an expansive space which has very few columns and is therefore extremely flexible for varying exhibition requirements. A large freight elevator brings oversized works to and from the storage areas and serves as a link between the loading dock and Gallery Box. Natural light is eliminated in the galleries so that it can be strictly controlled and damage from sunlight can be eliminated. The Roof Cloud, which hovers above the building, creates a blurred envelope for the museum because of its sheer mass and materiality. It encloses interior space, provides shade for exterior spaces, and operates as a horizontal landmark in the city.
